Monday September 15th 2014. AFTERNOON
As performers there are times when the gods smile down on us. If Suyeon Kang’s Beethoven No. 7 this afternoon was disjunct from the pianist, her Zwilich Fantasy was the most convincing and brilliant thus far. Empowered by her commissioned piece performance, this listener was then entirely overwhelmed by her Prokofiev F minor sonata. Her Waxman “Carmen” was excellent, if not entirely consistent, but one could feel throughout the warmth of the audience towards this unassuming young woman with such a great emotional range. Spectacular.
Ms. Song deserves only the highest respect as an instrumentalist. Honorable and excellent in execution was her Beethoven No. 7, with good ensemble. Her interpretation was facile, correct, appropriate, and not significant.
Her Ysäye No. 6 was quite clean, vibrant and impressive, although lacking in dynamics and panache. Valiant and over-emphatic was her Zwilich, though well-played.
Ach, the Brahms – her best playing and yet not so. Her tone was throbbing and her vibrato sometimes not. This was unconvincing due to a lack of direction other than vertical slashes, though there were some great moments.